My source material and inspiration for this lesson:
Art Synetics by Nicholas Rolkes
The particular lesson I drew inspiration from.
I adapted this lesson and used found material as the basis
for an idea of what graphic symbol to create and impose on the material. I decided that the project would focus on the
elements of line and shape, which would in turn create the principles of
emphasis and contrast.
The meaning presented by the symbol would be up to the
student, and influenced by the backing material. I had a small block of wood, so I chose to
make my image center on sustainability of trees and deforestation.
I began by sketching my ideas onto scrap paper, and then transferred
my strongest design onto a new piece of paper.
I then cut out my design using a cutting board and Exacto knife. Afterward I placed the newly formed “stencil”
onto the board and taped it still. I
then painted black acrylic paint over the stencil and onto the board with a
small paint roller.
A couple of different concept sketches.
The stencil on the left, and the cut-out negative
space on the right.
My final product.
For students, I would make a few changes to the process in
order to make things go more smoothly. I
would have them work on a larger scale, I would have them cut their stencils
out of cardstock, or thicker paper backed with tape, and I would have them use
actual spray paint (safely and outdoors).
In addition, for this lesson I would need to include
components of criticism, art history, and discussion. I would love to introduce Shepard Fairey,
Above, and Banksy (among others, such as Gaia and Swoon) as contemporary examples
of street artists who use graphic stencils to create art. However, I would also like to include
examples from art history such as the blown hand-print cave paintings from all
over the world, and perhaps examples of similar graphic printmaking by Santiago
Armengod. Luckily the contemporary
artists will be easy to make relevant due to the fact that they are currently
active, controversial, and involved in the digital world of social media. I also think that this discussion of street
artists could lead to an interesting discussion about the status of art. I would like to ask students what they think
about art they find in a gallery versus art on the sidewalk, and how that
changes their perception of the work.
Stencil work by Shepard Fairey.
(Retrieved from: https://stakeholderdoce.wordpress.com/2014/11/26/obey-the-art-of-phenomenology/)
Stencil work by Banksy.
(Retrieved from: https://www.popularresistance.org/bloomberg-threatens-bansky-with-arrest-for-outside-art/)
Cave paintings, similar to stencil graffiti.
(Retrieved from: https://en.wikipedia.org/wiki/Cave_painting)
Print by Santiago Armengod.
(Retrieved from: http://revista-amauta.org/2013/06/humanity-imperiled/)
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